Internationally Acclaimed Jazz Cabaret
34 West 22nd St., New York, NY 10010 Phone: 212.206.0440

Email List

Enter your email to sign up for our email list

Cat Gorman

Share with your friends:

Purchase Tickets

Cat Gorman
Wednesday, March 29, 2017 7:00 PM
Metropolitan Room, New York, NY
  • $25 Menu Minimum
Admission Type Price Quantity
Ticket Sales Closed for this show!
Show Details
  • Ticket Price: $24.00 - $435.00
  • Door Time: 6:15 PM
  • Show Type: Cabaret
  • Restrictions: $25 Menu Minimum
Cat Gorman Presents "Songs, Stars, and Stories"

Cat has been active as a member and soloist with arts organizations such as the Cincinnati Opera Chorus, the Cincinnati Choral Society, the Vocal Arts Ensemble, and Cincinnati MusicTheater. She recently made her NYC cabaret debut performing three shows at the Don't Tell Mama cabaret singing "Songs, Stars, and Stories," directed by Marilyn Maye and Barry Levitt. Her musical training includes Bachelor of Music, University of Cincinnati College-Conservatory of Music and Master of Music from Wright State University with an emphasis in vocal performance.

Cat Gorman makes her Metropolitan Room debut singing songs from the Great American Songbook.
"Cat's superbly crafted medleys and show tunes, arranged by Marilyn Maye and pianist Barry Levitt are pure entertainment.". . . STIRRED, STRAIGHT UP, WITH A TWIST (TJB)
Reaching into her collection of leading lady roles performed in regional theater productions of My Fair Lady, Hello Dolly, The Music Man, and more - this show is highlighted by a sense of fun with a sunny positive theme.
Accompanying Ms Gorman on her musical journey will be Barry Levitt on piano, bassist Boots Maleson, guitarist Jack Cavari, and drummer Howard Gordon.
Join Cat and her expert musicians for a very special evening. 
Stirred, Straight Up, with a Twist
Sat, Feb 21, 2015
The Cat's Out of the Bag
It's probably impossible not to like Cat Gorman.
Exuding likability, the Ohio-based songstress is an attractive lady with an attractive voice,
performing an attractively presented show (her New York debut) at Don't Tell Mama, entitled
"Stars, Songs, and Stories." Gorman is benefitted considerably by her crackerjack quartet, led by
Barry Levitt, and including Jack Cavari on guitar, Tom Hubbard on bass, and Daniel Glass on
The latter two gentlemen are frequent players at the marvelous Marilyn Maye's New York gigs, and that legendary lady's influence permeates Gorman's entire show: La Maye is the director, and her inimitable stamp is evident throughout, especially in the cleverly conceived medleys (a Maye trademark) and the sunny, positive theme -- no moody, gloomy cabaret act, this.
That positivity served Gorman's soprano well, in a well-paced program which opened with one of our favorite compositions, "So Many Stars" by Sergio Mendes and the Bergmans, and highlighted by a My Fair Lady medley and a particularly lovely combination of "My White Knight" and "Till There Was You" from The Music Man (which also featured strikingly good guitar work by Mr. Cavari).
Another superbly crafted medley was one which combined "talk" songs: Bobby Troup's "Girl Talk," Meredith Wilson's "Pick a Little, Talk a Little," Rodgers and Hammerstein's "Happy Talk" -- geddit??? Of all of the medleys, this is the one which most bore the unmistakable mark of Maye - - it suits her style to a tee, and although Gorman is a completely different kind of performer, she nicely captured the requisite lightness and sense of fun. On the flip side of that coin, the only real misstep of the evening was a medley of Jerry Herman's "Before the Parade Passes By" and "Ribbons Down My Back" from Hello, Dolly. This beautiful arrangement has long been an emotional highlight of Marilyn Maye's own shows, but Gorman seemed to lack the gravitas to make it completely work.
A particularly pleasant and unexpected surprise, however, was the most contemporary number in the act, "Santa Fe" from the recent musical, Newsies. Truth be told, we disliked the show and most of the music when we saw it on Broadway, but Gorman imbued the song with such genuine longing and emotion, it was truly moving.
Reaching back into the vintage Broadway bag, Gorman closed her Gotham debut on a figurative and literal high note with another thoughtfully considered medley, this time from Frank Loesser's Guys and Dolls, including an excellent "I'll Know" and ending with a soaring "I've Never Been in Love Before."
Above all, Marilyn Maye's smooth direction ensured that the show was extraordinarily well paced, and its set list remarkably well considered, with a subtle but significant thematic story arc of achieving one's dreams. It will be interesting to watch Cat Gorman as she fulfills hers, and continues to shape her sound and style as a cabaret artist. She certainly could ask for no better mentor.
We liked her, we really liked her.