Friday, March 12, 2010
   
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Wesla Whitfield

wesla.jpg Admittedly, this reviewer is a Wesla Whitfield fan. But even the most jaded Manhattanites will admit, if pressured, that some of cabaret’s most engaging performers are based on the West Coast, and that among that select group there are but a precious few as captivating as Wesla Whitfield. At The Metropolitan Room, New York’s newest cabaret hot spot, Whitfield and accompanist/arranger Mike Greensill kept the room alternating between hushed admiration and occasionally boisterous approval. The show opened with Greensill’s and bassist John Wiitala’s instrumental prelude, displaying the keen jazz vibes that would permeate arrangements of the mostly standards that would follow.

Whitfield’s particular magic is an ability to communicate the essence of a lyric as easily and as directly as holding a conversation with a friend. In her alluring voice she conveyed a world of comprehension packaged in apparent simplicity. True to her show’s title, the song list included But Beautiful (“Love is funny, love is sad…”), Let There Be Love, The Gentleman is a Dope, and I’m Glad There is You. Also included were a tongue-twistingly funny tune by Ray Jessel (who was in the audience enjoying its delivery with the rest of us), a toe-tapping Fascinating Rhythm, and a rendition of Get Out of Town to which the politically-fired Whitfield added a stanza aimed at a bevy of elected officials.

Whitfield is a fancier of songs’ verses, treating the audience to them and with brief but relevant patter. The encore number clearly was a personal favorite, as she ended her show with an appropriately ethereal, beautifully sung Lost in the Stars.

34 West 22nd St Betw. 5th & 6th Ave. - New York, NY 10010 - Tel: 212 206 0440 - Fax: 212 206 0433